Breaking and Entering

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Breaking and Entering Lie. Cheat. Steal. Love., Love is no ordinary crime. Formats: ipod, divx Genres: Drama, Thriller, Romance Year: 2006 IMDB Rating: 6.40 IMDB Votes: 1498 Actors: Lazar, Rad as Dragan, Wright Penn, Robin as Liv, Benton, Mark as Legge, Westwick, Ed as Zoran, Law, Jude as Will Francis, Binoche, Juliette as Amira, Farmiga, Vera as Oana, Chikezie, Caroline as Erika, Rogers, Poppy as Bea, Freeman, Martin as Sandy, Winstone, Ray as Bruno Fella, Stevenson, Juliet as Rosemary, Topic, Velibor as Vlado, Katic, Branka as Tanya, Gavron, Rafi as Miro

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro.
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After winning several awards from the Academy through several questionable epics (The English Patient, Cold Mountain) offers English director Anthony Minghella in a raid on his most personal film. Of course, this story of a successful architect who come to deal with urban crime is full of liberal guilt and self is not very credible, some plot twists and improbable coincidences, but it remains a very interesting modern multicultural London. Jude Law is fine as the architect who begins to question his life when his company has recently installed in a seedy neighborhood is stolen it is a single mother, the refugees in the Balkans. Robin Wright Penn is just as well as his Swedish girlfriend (who does not speak ill of their performance that the character seems to be a complicated and unlikable: I think the Breaking and Entering film is what it is). Less accomplished is the performance of Juliette Binoche: she is a good actress and beautiful, but not credible as refugees in Bosnia (and mother of one of the thieves).

One of the most enjoyable films I've seen this year. Strong direction and works with nearly constant suspense until the end. Juliet Binoche is exceptional, and Ray Winstone plays a supporting role as a sympathetic detective. Not all types of Jude Law, but he is in this division, and I could not stop thinking that there might be something in the semi-autobiographical role to play. The views of London are good and there is much to think about this DivX Movie Breaking and Entering as well as overcrowding, poverty, lack of opportunities for youth, personal relationships in the busy life they lead. ultimately, a Breaking and Entering Drama film that everyone should go see in our interest to modern life.

How to choose a film: Breaking and Entering to see? It is often the object - here the fraught relationship between landscape architect Will and his partner both of Liv 10 years (which has an autistic daughter) and her new lover Amira (thieves who have a child). Sometimes it's star - in the case, Jude Law, who has to choose between his American partner who has an obsessive approach to fatherhood (Robin Wright Penn) and his girlfriend of refugees from Bosnia, who works as a seamstress (Juliette Binoche). Sometimes it is the director - this time, Anthony Minghella writes and directs as he returns to north London in the atmosphere that is "Truly, Madly, Deeply." All these are reasonable grounds for wanting to see "burglary," but I confess that it was supporting the French actress Juliette Binoche that attracted me to work. I've been in love with her since her first appearance in English in "The Unbearable Lightness of Being" in 1988. She is simply magnificent in a fascinating manner, but always convincing as an actress, especially in the vulnerable function. This is one of several layers of work in which the title can be taken in three ways: with a clear sense robberies perpetrated by Amira's son Miro, the deepest emotional connection with assault on Will Amira, and yet another sense Will the middle class and its tradition as the invasion of the working class area of Kings Cross. Those who need cars or special effects in his DVD film Breaking and Entering to avoid the parable Mighella experiences, but those who value the thoughtful and nuanced work is much to admire here.

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